Безумная жизнь Сальвадора Дали

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Библиография

1. Каталоги персональных выставок Дали (в хронологическом порядке)

New York: Museum of Modern Art, Salvador Dali Paintings, Drawings, Prints. 19 November 1941 -11 January 1942. Catalogue by James Thrall Soby.

New York: Gallery of Modern Art. Salvador Dali. His Art. 1910-1965. 18 December 1965 — 28 February 1966.

Rotterdam: Museum Boymans-van Beuningen. Dali. 21 November 1970 — 10 January 1971.

Paris: Centre Georges Pompidou, Musee National d'Art Moderne, Salvador Dali. Retrospective. 1920-1980. 18 December 1979 — 21 April 1980. Catalogue by Daniel Abadie. A companion volume, La Vie publique de Salvador Dali, was issued in April 1980.

London: Tate Gallery, Salvador Dali. 14 May — 29 June 1980. Catalogue by Simon Wilson.

Perpignan: Palais des Rois de Majorque. Dali a Perpignan. La Collection Salvador Dali de Musee Perrot-Moore, Cadaques. August-September 1982.

Madrid: Museo Espanol de Arte Contemporaneo (MEAC). 400 obras de Salvador DaM de 1914 a 1983, two volumes. 15 April — 29 May 1983. The exhibition moved from Madrid to the Palau Reial de Pedralbes in Barcelona. Published joindy by the Ministry of Culture, Madrid, and the Generalitat de Catalunya, Barcelona. Castilian and Catalan versions. Introduction by Ana Beristain and Robert Descharnes.

Barcelona: Centre Cultural de la Caixa de Pensions. Dali fotdgraf, Dali en eh seus fotografs. June-July 1983.

Stuttgart: Staatsgalerie and Zurich, Kunsthaus. Salvador Dali.1904-1989. 13 May — 23 July 1989 and 18 August — 22 October 1989 respectively. Catalogue by Karin von Maur. Stuttgart, Verlag Gerd Hatje, 1989.

Clermont-Ferrand: Musee Bargoin. DaM. 1989-1990. Catalogue by Pierre Argillet.

DaM, The Salvador Dali Museum Collection, St Petersburg, Florida. Foreword by A. Reynolds Morse, introduction by Robert S. Lubar, 1991. Permanent exhibition.

Frankfurt: Schirn Kunsthalle. Picasso-Miro-Dali und der Beginn der spanischen Moderne 1900-1936. 6 September — 10 November 1991.

Valencia: IVAM, Centre Julio Gonzalez. 3 December 1992 — 7 February 1993. Dali verdadero/ grabado falso. La obra impresa 1930-1934. Catalogue by Rainer Michael Mason.

Seville: Fundacion Fondo de Cultura de Sevilla. Dali en los fondos de la Fundacion Gala-Salvador Dali. 27 April — 4 July 1993.

Teatre-Museu DaM, Figueres, text by J.L. Gimenez-Frontin, Barcelona, Tusquets/Electa 1994. Permanent exhibition.

London: Hayward Gallery (South Bank Centre). Salvador Dali. The Early Tears . 3 March — 30 May 1994.

Madrid: Museo Nacional Centra de Arte Reina Sofia. Dali joven (1918-1930). 18 October 1994 -16 January 1995.

Barcelona: La Pedrera, Barcelona, Fundacion Gala-Salvador Dali and Fundacion Caixa de Catalunya. Dali Arquitectura. 19 June — 25 August 1996.

Cadaques: Museu de Cadaques. Salvador Dali Antologica sobre paper, 1916-1980. July 1996.

Turin: Palazzo Bricherasio. Salvador Dali La vita e sogno. November 1996 — March 1997.

2. Тематические каталоги (графика Дали)

Field, Albert, The Official Catalog of the Graphic Works of Salvador Dali, New York, The Salvador Dali Archives, 1996.

Michler, Ralf and Lutz W. Lopsinger (eds), Salvador Dali Catalogue Raisonne of Etchings and Mixed-Media Prints, 1924-1980. Foreword by Robert Descharnes, Munich, Prestel-Verlag, 1994.

3. Каталоги других выставок (в алфавитном порядке)

AC. Las vanguardias en Catalunya, 1906-1939. Protagonistas, tendencias, acontecimientos, Barcelona, La Pedrera, 1992.

Barradas/Torres-Garcia, Madrid, Galena Guillermo de Osma, 1991.

Rafael Barradas, Madrid, Galena Jorge Mara, 1992.

Andre Breton. La Beaute convulsive, Paris, Centre Georges Pompidou, 1991.

Andre Breton у el surrealismo, Madrid, Museo Nacional Centra de Arte Reina Sofia, 1991.

Bunuel! Auge des Jahrunderts, text by Yasha David, Bonn, Kunst-und Ausstellungshalle der Bun-desrepublik Deutschland, 1994.

Bunuel! La mirada del siglo, edited by Yasha David, Museo Nacional Centra de Arte Reina Sofia, 1996.

Cubismo, Madrid, Galena Multitud, 1975.

Los Cuerpos perdidos. Fotografia y surrealistas, Madrid, Fundacion 'La Caixa', 1995.

Daday consrtuctivismo, Madrid, Centra de Arte Reina Sofia, 1989.

Dada, Surrealism and their Heritage, by William Rubin, New York, The Museum of Modern Art, 1968.

Dada and Surrealism Reviewed, by Dawn Ades, with an introduction by David Sylvester and a supplementary essay by Elizabeth Cowling, London, Arts Council of Great Britain, 1978.

Max Ernst. A Retrospective, London, Tate Gallery in association with Prestel, 1991.

Max Ernst. Obra gfafica y libros illustrados (Coleccion Lufthansa), introduction by Werner Spiers, Barcelona, Lufthansa Promocion Cultural, 1992.

Ramon Estalella у su tiempo, Madrid, Centra Cultural del Conde Duque, 1990.

Fantastic Art, Dada, Surrealism, edited by Alfred H. Barr, essays by Georges Hugnet, New York, The Museum of Modern Art, third edition, 1947.

Federico Garcia Lorca. Dibujos, edited by Mario Hernandez, Madrid, Museo Espanol de Arte Contemporaneo, 1986.

La Femme et le surrealisme, Lausanne, Musee cantonal des Beaux-Arts, 1987.

Futurismo, 1909-1919. Exhibition of Italian Futurism, Newcastle-upon-Tyne, Northern Arts and the Scottish Arts Council, 1972.

Literaturay compromise politico en los anos treinta, Valencia, Diputacion Provincial, 1984.

The Magic Mirror. Dada and Surrealism from a Private Collection, by Elizabeth Cowling, Edinburgh, Scottish National Gallery of Modern Art, 1988.

Magritte, Madrid, Fundacion Juan March, 1989.

Miro en las colecciones del Estado, Madrid, Centra de Arte Reina Sofia, 1987.

Miro, Dalmau, Gasch. L'aventura per l'art modern, 1918-1937, Barcelona, Centre d'Art Santa Monica, 1993.

Jose Moreno Villa [1887-1955], edition dejuan Perez de Ayala, Madrid, Ministerio de Cultura, 1987.

El noucentisme. Un projecte de modernitat, Barcelona, Centre de Cultura Contemporania, 1994.

Juan Nunez Fernandez (1877-1963), Figueres, Museu de l'Emporda, 1987.

On Classic Ground. Picasso, Leger, de Chirico and the New Classicism. 1919-1930, by Elizabeth Cowling and Jennifer Mundy, London, Tate Gallery, 1990.

Origenes de la vanguardia espanola: 1920-1936, Madrid, Galeria Multitud, 1974.

Pabellon Espanol Exposition International de Paris 1937, Madrid, Centro de Arte Reina Sofia, 1987.

Benjamin Palencia y el Arte Nuevo, Obras 1919-1936, Barcelona, Centre Cultural Bancaixa/Ministerio de Cultura, 1994.

Picasso/Miro/Dali. Evocations d'Espagne, Charleroi, Palais des Beaux Arts, 1985.

Picasso, 1905-1906. De la epoca rosa a los ocres de Gosol, Barcelona, Ajuntament de Barcelona, 1992.

Los Pichot. Una dinastia de artistas, Madrid, Centro Cultural del Conde Duque, 1992.

Regards sur Minotaure. La revue a tete de bite, Geneva, Musee d'art et d'histoire, 1987.

Jose Maria Sert (1874-1945), Madrid, Ministerio de Cultura, 1987.

La Sociedad de Aristas Ibericos у el arte espanol de 1925, Madrid, Museo National Centro de Arte Reina Sofia, 1995.

El surrealisme en Espana, Madrid, Galeria Multitud, 1975.

Surrealism in the Tate Gallery Collection, London, 1988.

Surrealisme a Catalunya, 1924-1936. De 'L'Amic de les Arts' al Logicofobisme, Barcelona, Generalitat de Catalunya 1988.

El surrealismo en Espana, Madrid, Museo National Centro de Arte Reina Sofia, 1994.

El surrealismo entre el viejo у el nuevo mundo, Las Palmas de Gran Canaria, Centro Atlantico de Arte Moderno, 1989.

The Surrealist Spirit in Great Britain, written and researched by Louisa Buck, London, Whitford and Hugnes, 1988.

Yves Tanguy. Retrospective 1925-1955, Paris, Centre Georges Pompidou, 1982. Introduction by Jose Pierre.

Yves Tanguy. Retrospektive 1925-1955, Baden-Baden, Staatliche Kunsthalle Baden-Baden, 1983.

Treinta artistas espanoles de la Escuela de Paris, Madrid, Centro Cultural del Conde Duque, 1984.

Modest Urgell 1839-1919, Madrid, Fundacion 'La Caixa', 1992.

La vanguardia en Cataluna, 1906-1939, Barcelona, Fundacion Caixa de Catalunya, 1992.

Ver a Miro. La irradiation de Miro en el arte espanol, Madrid, Fundacion 'La Caixa', 1993.

4. Письма (в хронологическом порядке публикаций)

Santos Torroella, Rafael (ed.), Salvador Dali, corresponsal de J. V Foix, 1932-1936, Barcelona, Editorial Mediterrania, 1986.

- Salvador Dali escribe a Federico Garcia Lorca [1925-1936], Poesia. Revista ilustrada de information poetica, Madrid, nos. 27-28, April 1987.

— 'Las cartas de Salvador Dali a Jose Bello Lasierra', Abe, Madrid, literary supplement, 14

November 1987, pp. IX-XV.

- Dali residente, Madrid, Publicaciones de la Residencia de Estudiantes, 1992.

Bouhours, Jean-Michel and Nathalie Schoeller (eds), L'Age d'or. Correspondance Luis Bunuel-Charles de Noailles. Lettres et documents (1929-1976), Les Cahiers du Musee National d'Art Moderne, Hors-Serie/Archives, Paris, 1993.

Fanes, Felix, "Joan Miro escribe a Salvador Dali. El breve encuentro de los artistas catalanes en Figueres у su ambivalente relacion posterior", El Pais, Madrid, supplement Babelia, 25-26 December 1993, pp. 6, 11.

Massot, Josef and Josef Playa, "Six anys de correspondencia entre Miro i Dali", no. 164 (May-June 1994), pp. 36-41.

Fernandez Puertas, Victor, "Las cartes de Salvador Dali al seu oncle Anselm Domenech al Museu Abello", Revista de Catalunya, Barcelona, no. 104 (February 1996), pp. 57-73.

5. Литературные произведения Дали, упоминаемые в тексте (в хронологическом порядке)

'Los grandes maestros de la pintura'. ["Великие мастера живописи"], Studxum, Figueres: 'Goya' ["Гойя"], no. 1 (1 January 1919), p. 1; 'El Greco' ["Эль Греко"], no. 2 (1 February 1919), p. 3; 'Leonardo da Vinci' ["Леонардо да Винчи"], no. 4 (1 April 1919), p. 3; 'Miguel Angel' ["Микеланджело"], no. 5 (1 May 1919), p. 3; 'Velazquez' ["Веласкес"], no. 6 (1 June 1919), p. 3.

'Capvespre', [poem] ["Сумерки", стих.], Studium, Figueres, no. 2 (1 February 1919), p. 5.

'Divagacions. Cuan els sorolls s'adorman' [poem] ["Когда звуки падают тихо", стих.], ibid., no. 6 (1 June 1919), p. 3.

Un diari: 1919-1920. Les meves impressions i records intims ["Дневник: 1919-1920. Мои впечатления и интимные воспоминания"], edited by Felix Fanes, Fundaci6n Gala-Salvador Dali, Edicions 62, Barcelona, 1994.

A Dali Journal. 1920 ["Дневники Дали. 1920"]. Translation by Joaquim Cortada i Perez of Book 6 of Dali's diary 'Impressions and Private Memoirs', privately printed by Stratford Press in a limited edition for the Reynolds Morse Foundation, Cleveland, 1962.

Tardes d'estiu ["Летние полдни", фрагмент романа, неопубликованная рукопись]. Sixteen-page fragment of novel, Museu Joan Abell6, Mollet del Valles (Barcelona). 1920? Published by Victor Fernandez in a limited edition of 600 copies, Cave Canis, Barcelona, 1996.

['Jak', pseud] 'De la Russia dels Soviets. Un museu de pintura impressionista a Moscou' ["O Советской России. Музей импрессионизма в Москве"], Renovacio Social, Figueres, any I, num. 1, 26 December 1921.

Ninots. Ensatjos sobre pintura. Catalec dels cuadrus em notes ["Каракули. Эссе о живописи. Каталог моих картин с заметками"] (1922). Sixteen-page unpublished manuscript (incomlete), Museo Abello, Mollet del Valles (Barcelona).

Les cangons dels dotze anys. Versus emprosa i em color ["Песни моих двенадцати лет: Стихи в прозе и цвете"] (1922), unpublished manuscript, Fundacion Gala-Salvador Dali, Figueres.

En el cuartel numeru 3 de la Redidencia d'Estudians. Cunciliambuls d'un grup d'avanguardia

["Студенческая Резиденция — группа авангардистов", две рукоп. страницы] two pages of manuscript, 1923?, Museu Joan Abello, Mollet del Valles (Barcelona).

'Skeets [sic] arbitraris. De la fira', Emporda Federal, Figueres, num. 646 (26 May 1923), p. 2.

'Sant Sebastia' ["Святой Себастьян"], L'Amic de les Arts, Sitges, no. 16 (31 July 1927), pp. 52-54.

'Reflexions ["Размышления"]. El sentit comu d'un germa de Sant Joan Baptista de la Salle', ibid., no. 17 (31 August 1927), p. 69.

'Federico Garcia Lorka: exposicio de dibuixos colorits' ["Федерико Гарсиа Лорка: выставка цветных рисунков"]. (Galeries Dalmau), La nova revista, Barcelona, Vol. Ill, no. 9 (September 1927), pp. 84-85.

'La fotografia pura creaci6 de l'esperit' ["Фотография — чистое творчество духа"], L'Amic de les Arts, Sitges, no. 18 (30 September 1927), pp. 90-91.

'Els meus quadros en el Sal6 de Tardor' ["Мои картины на Осеннем Салоне"], ibid., Sitges, no. 19 (31 October 1927), additional sheet.

'Dues proses' ["Два сочинения в прозе"]. 'Le meva amiga i la platja. Nadal a Brusselles (conte antic)', ibid., no. 20 (30 November 1927), p. 104.

'Nous limits de la pintura' ["Новые границы живописи"], ibid., no. 22 (29 February 1928), pp. 167-168; no. 24 (30 April 1928), pp. 185-186; no. 25 (31 May 1928), pp. 195-196.

'Poesia de l'util standarditzat' ["Поэзия стандарта"], ibid., no. 23 (31 March 1928), pp. 176-177.

'Per al "meeting" de Sitges' ["Речь на митинге в Ситхесе"], ibid., no. 25 (31 May 1928), pp. 194-195.

'Poema de les cosetes' ["Поэма о малых сих"], ibid., no. 27 (31 August 1928), p. 211.

'Realidad у sobrerrealidad' ["Реальность и сюрреальность"], La Gaceta Literaria, Madrid, 15 October 1928, p. 7.

'La dada fotografica' ["Дадаистская фотография"], La Gaseta de les Arts, Barcelona, Ano II, no. 6 (February 1929), pp. 40-42.

'...sempre, per damunt de la musica, Harry Langdon', L'Amic de les Arts, Sitges, no. 31 (31 March 1929), p. 3.

'...L'alliberament dels dits...' ["...Дайте пальцам волю..."], ibid., pp. 6-7.

'Revista de tendencies anti-artistiques' ["Обзор антихудожественных тенденций"], ibid., p. 10.

'Documental-Paris-1929' ["Документальный Париж. 1929 год"], La Publicitat, Barcelona, 26 April 1929, p. 1; 28 April 1929, p. 1; 23 May 1929, p. 1; 7 June 1929, p. 1; 16 June 1929, p. 6; 28 June 1929, p. 1.

'No veo nada, nada en torno del paisaje. Poema' ["Я ничего не вижу на горизонте, ничего", стих.], La Gaceta Literaria, Madrid, no. 61 (1 July 1929), p. 6.

Un Chien andalu, with Luis Bunuel ["Андалузский пес", совместно с Бунюэлем], Revue du Cinema, Paris, no. 5 (15 November 1929), pp. 2-16, and La Revolution Surrealiste, Paris, no. 12 (15 December 1929), pp. 34-37. English translation in Bunuel and Dali, Un Chien andalou (London, Faber and Faber, 1994), pp. 1-11.

'Un Chien andalou' ["Андалузский пес"], Mirador, Barcelona, no. 39 (24 Otober 1929), p. 6.

L'Age d'or, with Luis Bunuel, ["Золотой век", совместно с Бунюэлем], 1929-1930, shooting script published in L'Avant-Scene du Cinema, Paris, June 1963, pp. 28-50.

'Porque fui sacrilego. Porque soy mistico' ["Почему я святотатец. Почему я мистик", машинопись с авторской правкой], 1930. Typescript with ms corrections, Biblioteca de Catalunya, Barcelona.

La Femme Visible ["Видимая женщина", роман], Paris, Editions Surrealistes, 1930.

Unpublished scenario for a documentary on Surrealism (1930?) [Неизданный сценарий документального фильма о сюрреализме], published by Dawn Ades in Studio International. Journal of the Creative Arts and Design, London, vol. 195, no. 993/994, 1982, pp. 62-77.

'Posicio moral del surrealisme' ["Мораль сюрреализма"], Helix, Vilafranca del Penedes, no. 10 (March 1930), pp. 4-6; reproduced in facsimile by Molas, La literatura catalana d'avantguarda (см. далее, разд. 6), pp. 364-368.

'L'Ane pourri' ["Дохлый осел"], Le Surrealisme au Service de la Revolution, Paris, no. 1 (July 1930), pp. 9-12.

'Intellectuals castillans et catalans-Expositions-Arrestation d'un exhibitioniste dans le metro' ["Кастильская и каталонская художественная интеллигенция и выставка "Арест эксгибиционистов в метро"], Le Surrealisme au Service de la Revolution, Paris, no. 2 (October 1930), pp. 7-9.

L'Amour et la memoire ["Любовь и память"], Paris, Editions Surrealistes, 1931.

'Objets surrealistes' ["Сюрреалистические объекты"], Le Surrealisme au Service de la Revolution, Paris, no. 3 (December 1931), pp. 16-17.

'Reverie' ["Мечты"], ibid., no. 4 (December 1931), pp. 31-36.

'Vive le surrealisme! Roman surrealiste (extrait)' ["Да здравствует сюрреализм! Римские сюрреалисты", фрагмент], Nadrealizam danas о ovde, Belgrade, June 1932. p. 17, reproduced by Branco Aleksis, Dali: inedits de Belgrade (see below, Section 6), pp. 43-52.

'Reponse' to enquiry on desire [Ответы на анкету о понятии "желание"], Nadrealizam danas о ovde, Belgrade, (see above), p. 31, reproduced by Branco Aleksis, (see above), pp. 55-61.

Babaouo. C"est un film surrealiste (cover) ["Бабау. Это сюрреалистический фильм",

неосуществленный сценарий]. Title page: Babaouo. Scenario inedit. Precede d'un abregi d'une histoire critique du cinema et suivi de Guillaume Tell, balletportugais. Paris, Editions del Cahiers Libres, 1932. [Colophon says printing finished 12 July 1932.]

'The Object as Revealed in Surrealist Experiment' ["Объект, разоблаченный

сюрреалистическими экспериментами"], This Quarter, Surrealist Number, Paris, September 1932, pp. 197-207.

Le Mythe tragique de I'Angelus de Millet. Interpretation paranoiaque-critique' ["Трагический миф об "Анжелюсе" Милле. Параноидно-критическое толкование"] [1932-1935?]. Paris, Jean-Jacques Pauvert, 1963.

'Objets psycho-atmospheriques-anamorphiques' ["Психо-атмосферо-анаморфические объекты"], Le Surrealisme au Service da la Revolution, Paris, no. 5 (15 May 1933), pp. 45-48.

'Notes-Communications' ["Заметки"], ibid., no.6 (15 May 1933), pp. 40-41.

'Interpretation paranoiaque-critique de l'image obsedante. "L'Angelus" de Millet'. Prologue. Nouvelles consideration generates sur le mecanisme du phenomene paranoiaque du point de vue surrealiste" ["Параноидно-критическое толкование маниакального образа. "Анжелюс" Милле. Пролог: Новые общие соображения по поводу механизма параноидного явления с сюрреалистической точки зрения"], Minotaure, Paris, no.l (1 June 1933), pp. 65-67.

'Cher Breton: l'exposition des mes peintures...', open letter to Breton introducing exhibition catalogue for Dali's show at Pierre Colle, Paris, 19-29 June 1933. ["Дорогой Бретон: выставка моих картин..." Открытое письмо Бретону в каталоге выставки Дали у Пьерра Колла, Париж, 19-29 июня 1933 г.]. Dated by Dali 12 June 1933. Reproduced in Salvador Dali (Pompidou catalogue, see above, Section 1), pp. 178-180.

'De la Beaute terrifiante et comestible de L'architecture "modern" style' ["Об ужасающей и съедобной архитектуре Ар Нуво"], Minotaure, Paris, nos 34 (December 1933), pp. 69-76.

'Le Phenomene de l'extase' ["Феномен экстаза"], ibid., pp. 76-77.

'Les Nouvelles Couleurs du sex appeal spectral' ["Новые цвета "Призрака сексуального влечения"], Le Surrealisme au Service da la Revolution, Paris, no. 5 (May 1934), pp. 20-22.

'"L'Angelus" de Millet', preface to exhibition catalogue for the launch of Dali's edition of Les Chants de Maldoror at the Quatre Chemins Bookshop ["Анжелюс" Милле", предисловие к каталогу иллюстраций Дали к "Песням Мальдорора"], Paris, 13-25 June 1934. Reproduced in Salvador Dali (Pompidou catalogue, see above, Section 1), pp. 331-339.

'New York Salutes Me', broadsheet ["Нью-Йорк приветствует меня", рекламный постер],

New York, November 1934. Reproduced in La Vie publique de Salvador Dali, catalogue (see Section 1, above), p. 41.

'Honneur a l'objet!' ["Все почести — объекту!"], Cahiers dArt, Paris, nos. 1-2, 1935, pp. 33-36.

'Analyse de "L'Escalier de l'Amour et Psyche"' ["Анализ "Лестницы Купидона и Психеи"], ibid., p. 37.

'Analyse du veston aphrodisiaque de Salvador Dali' ["Анализ "Афродизийского вечернего смокинга"], ibid.

'Les Pantoufles de Picasso' ["Тапочки Пикассо"], ibid., nos. 7-10, 1935, pp. 208-212.

'Crazy Movie Scenario by M.Dali, the Super-Realist' ["Сценарий безумного фильма господина Дали, сверхреалиста"], American Weekly, New York, 7 July 1935.

La Conquete de l'irrationnel ["Завоевание иррационального"], Paris, Editions Surrealistes, 1935, and simultaneously, in English translation, by Julien Levy, New York.

'Le Surrealisme spectral de l'Eternel Feminin preraphaelite' ["Призрак сюрреализма в Вечно Женственном у прерафаэлитов"], Minotaure, Paris, no. 8 (15 June 1936), pp. 46-49.

'I Defy Aragon' ["Я бросаю вызов Арагону"], Art Front, New York, March 1937.

'Surrealism in Hollywood' ["Сюрреализм в Голливуде"], Harper's Вагааг, New York, June 1937, pp. 68, 132.

Metamorphose de Narcisse ["Метаморфозы Нарцисса"], Paris, Editions Surrealistes, 1937, and simultaneously, in English translation, byjulien Levy, New York.

'Declaration of the Independence of the Imagination and the Rights of Man to his Own Madness' ["Декларация независимости воображения и прав человека на собственное сумасшествие"], New York, 1939. The full text of the tract is reproduced in Levy, Memoir of an Art Gallery (see above, Section 6), pp. 219-222.

'Les Idees lumineuses. "Nous ne mangeons pas de cette lumiere-la"' ["Светлые идеи. "Мы не пользуемся этим светом"], Cahiers d'Art, Paris, no. 1-2 (1940), pp. 24-25.

The Secret Life of Salvador Dali ["Тайная жизнь Сальвадора Дали"], New York, Dial Press, 1942.

Hidden Faces ["Скрытые лица"], translated by Haakon Chevalier, London, Nicholson and Watson, 1947; Spanish edition, Rostros ocultos, Barcelona, Planeta, 1974.

50 Secrets of Magic Craftsmanship ["Пятьдесят секретов магического ремесла"], New York, Dial Press, 1948.

'То Spain, Guided by Dali' ["По Испании с Дали"], Vogue, New York, 15 May 1950, pp. 54-55, 57, 94.

Manifeste mystique ["Мистический манифест"], Paris, Robert J. Godet, 1951; reproduced in Salvador Dali. (Pompidou catalogue, see above, Section 1), pp. 372-374.

'Picasso у yo' ["Пикассо и я", лекция], lecture given in the Maria Guerrero Theatre, Madrid, 11 November 1951. Published in fascimile in Mundo hispanico, Madrid, no. 46 (1952), pp. 37-42. The most readily available modern edition is in Dali, Por que se ataca a La Gioconda?, pp. 228-232.

'Le Mythe de Guillaume Tell. Toute la verite sur mon expulsion du groupe surrealiste', La Table Ronde, Paris, no. 55 (July 1952), pp. 21-38. 'The Myth of William Tell' ('The Whole Truth about my Expulsion from the Surrealist Group') ["Миф о Вильгельме Телле" ("Полная правда о моем изгнании из группы сюрреалистов")], translated by Eleanor Morse and included in Dali, The Tragic Myth of Millets Angelas, The Salvador Dali Museum, St Petersburg, Florida, pp. 177-207.

'Les Morts et moi' ["Смерть и я"]. La Parisienne. Paris, no. 17, May 1954, pp. 52-53. Facsimile edition of the manuscript, Barcelona, Editorial Mediterrania, 1991.

Martyr. Tragedie lyrique en III actes ["Мученик. Лирическая трагедия в трех актах"], 1954? Only the first act is known. Published by Ignacio Gomez de Liano in ElPaseante, Madrid, no. 5, 1987.

With Philippe Halsman, Dali's Moustache ["Усы Дали", в соавторстве с Ф. Хальсманом], Paris, Flammarion, 1994.

'Aspects phenomenologiques de la methode paranoiaque-critique' ["Феноменологические аспекты параноидно-критического метода", лекция, прочитанная в Сорбонне], lecture given at the Sorbonne/ 17 December 1955, reproduced in La Vie publique de Salvador Dali (exhibition catalogue, see above Section 1), pp. 144-145.

Les cocus du vieil art moderne ["Рогоносцы старого современного искусства"], Paris, Fasquelle, 1956.

Journal d'un genie ["Дневник одного гения"], Paris, Editions de la Table Ronde, 1964; English edition, The Diary of a Genius, London, Hutchinson, 1966; Spanish edition, Diario de un genio, Barcelona, Tusquets, 1983; [Русское издание: "Дневник одного гения", Москва: Искусство, 1991].

'Resume of History and of the History of Painting' ["Итоги истории и истории живописи"], Salvador Dali 1910-1965 (exhibition catalogue, see above Section 1), pp. 13-15.

Lettre ouverte a Salvador Dali ["Открытые письма Сальвадору Дали"], Paris, Albin Michel, 1966; Spanish edition, Carta abierta a Salvador Dali, Buenos Aires, Ultramar, 1976.

Ma Revolution culturelle ["Моя культурная революция"], tract, Paris, 18 May 1968.

Dali par Dali ["Дали о Дали"], preface by Dr. Roumeguere, Paris, Draeger, 1970; references are to the American edition, Dali by Dali, translated by Eleanor Morse, New York, Harry Abrams, 1972.

Oui ["Да"], Paris, Editions Denoel, 1971.

Comment on devient Dali, Les aveux inavouables de Salvador Dali, recit presente par Andre Parinaud ["Как стать Дали, Неисповедимая исповедь Сальвадора Дали, представленная Андре Парино"], Paris, Robert Laffont, 1973; Spanish edition, Confesiones imonfesables, recogidas por Andre Parinaud, Barcelona, Bruguera, 1973; American edition, The Unspeakable Confessions of Salvador Dali, to Andre Parinaud, translated from the French by Harold J. Salemson, New York, William Morrow, 1976.

Les Caprices de Goya de Salvador Dali ["Капричос" Гойи в интерпретации Сальвадора Дали"], Hamburg, Galerie Levy, 1977.

Por que se ataca a La Gioconda? ["Почему нападают на Джоконду?", лучшее издание стихов и эссе Дали на испанском языке], Madrid, Siruela, 1994.

L'alliberament deb dits. Obra catalana completa ["Дайте пальцам волю", полное собрание литературных публикаций Дали на каталанском языке]. Presentaci6 i edicio de Felix Fanes, Barcelona, Quaderns Crema, 1995.

6. Книги и статьи

Abadie, Daniel, 'Les obsessions deguisees de Salvador Dali, in Salvador Dali (Pompidou catalogue, see above, section 1), pp. 11-15.

Ades, Dawn, Dali London, Thames and Hudson, 'World of Art', 1982, reprinted 1990.

— Introduction to Dali's unpublished film scenario for documentary on Surrealism, Studio International. Journal of the Creative Arts and Design, London, vol. 195, no. 993/4, 1982, p. 62.

— 'Morphologies of Desire', in Salvador Dali The Early Years (catalogue, 1994, see above), pp. 129-160.

Agusti, Ignacio, 'Bienvenida a Salvador Dali', Destino, Barcelona, 14 August 1948, pp. 3-5.

Aleksis, Branko, Dali: inedits de Belgrade (1932), Paris, Change International/Equivalences, 1987.

Altolaguirre, Manuel, 'Gala у Dali, en Torremolinos', Diario 16, 'Culturas', 1 September 1985, p. II.

Arbos, Albert, 'Aquellos amores de Dali у Pla', Cambio 16, Madrid, no. 542 (19 April 1982), pp. 44-51.

Arco, Manuel del, Dali al desnudo, Barcelona, Jose Janes, 1952.

Argillet, Pierre, 'Dali-Breton', in catalogue Dali, Musee Bargoin, Clermont-Ferrand, 1989-1990, not paginated.

— 'Les Hippies', ibid.

Bataille, Georges, 'Le "Jeu lugubre"', Documents, Paris, no. 7, December 1929, pp. 369-372.

Reproduced in Salvador Dali (Pompidou catalogue), pp. 150-153 (see above, Section 1).

Biro, Adam and Rene Passeron (eds), Dictionnaire general du surrealisme et de ses environs, Fribourg, Office du Livre, 1982.

Bockriss, Victor, 'A Dalirious Evening', Exposure, Los Angeles, October 1990, pp. 60-63.

Bona, Dominique, Gala, Paris, Rammarion, 1995.

Bosquet, Alain, Entretiens avec Salvador Dali, Paris, Pierre Belfond, 1966.

- Dali desnudado, Buenos Aires, Paidos, 1967.

Bouhours, Jean-Michel and Nathalie Schoeller (eds), L'Age d'or. Correspemdance Luis Bunuel-Charles de Mailles. Lettres et documents, Paris, Centre Georges Pompidou, 'Les Cahiers du Musee National d'Art Moderne', 1993.

Brihuega, Jaime, Manifestos, proclamas, panfletos у textos doctrinales. (Las vanguardias artisticas en Espana, 1910-1931), Madrid, Catedra, 1982.

— M.B. [Manuel Brunet], 'Despedida al notario don Salvador Dali у Cusi', Destino, Barcelona, no. 491 (14 December 1946), p. 7.

Bunuel, Luis, 'Notes on the Making of Un Chien andalou', in Art in Cinema, edited by Frank Stauffacher, San Francisco Museum of Art, 1947. Translated by Grace L. McCann Morley. Reprinted by Arno Press, Inc., 1968.

- Mon Dernier Soupir, Paris, Robert Laffont, 1982.

Calvo Serraller, Francisco, 'Salvador Dali у la vanguardia artistica espanola de los anos veinte', in catalogue 400 obras de Salvador Dali de 1914 a 1983 (see above, Section 1), II, pp. 9-15.

Carol, Marius, Dali. El final oculto de un exhibicionista, Barcelona, Plaza у Janes, 1990.

— 'El escenografo de Portlligat. Muere Isidore Bea, el hombre que durante treinta anos colaboro con Dali', La Vanguardia, Barcelona, 'Revista', 19 March 1996, p. 2.

Carol, Marius Juan Jose Navarro Arisa and Jordi Busquets, El ultimo Dali, El Pais, Madrid, 1985.

Cassanyes, M.A., 'L'espai en les pintures de Salvador Dali', L'Amic de les Arts, Sitges, no. 13 (30 April 1927), pp. 30-31.

Catterall, Lee, The Great Dali Art Fraud and Other Deceptions, New Jersey, Barricade Books Inc., 1992.

Chevalier, Haakon, 'Salvador Dali as Writer, Surrealism Takes to the Typewriter', Saturday Review, New York, 15 April 1944.

Clara, Josep, 'Salvador Dali, empresonat per la dictadura de Primo de Rivera', Revista de Girona, no. 162 (January-February 1993), pp. 52-55.

Cowles, Reur, The Case of Salvador Dali, London, Heinemann, 1959.

Crevel, Rene, Dali ou I'anti-obscurantisme, Paris, Editions Surrealistes, 1931.

- Lettres de desir et de souffrance. Preface de Julien Green. Presentation et annotation par Eric le Bouvier, Paris, Fayard, 1996.

Crosby, Caresse, The Passionate Tears, London, Alvin Redman, 1955.

Dali, Anna Maria, Salvador Dali visto por su hermana, Barcelona, Juventud, 1949.

- Moves imatges de Salvador Dali, prologue by Jaume Maurici, Barcelona, Columna, 1988.

Daudet, Elvira, 'Magico Dali', Abe, Madrid, Sunday supplement, 1 March 1970, pp. 41-47, 8 March 1971, pp. 28-33.

Descharnes, Robert, The World of Salvador Dali, New York and Evantson, Harper and Row, 1962.

- Dali, translated by Eleanor R. Morse, London, Thames and Hudson, 1985.

- Dali. La obra y el hombre, Barcelona, Tusquets/Edita, 1984 (trans, as Salvador DaM. The Work, the Man, New York, Harry Abrams, 1984).

Descharnes, Robert and Gilles Neret, Salvador Dali, 1904-1989. L'Oeuvre peint, Cologne, Benedikt Taschen, 2 vols, 1993.

Deulofeu, Alexandre, 'El complex dalinia', Revista de Girona, no. 68 (third trimester, 1974), pp. 23-26.

Eluard, Paul, Lettres a Gala (1924-1948), edited by Pierre Dreyfus, preface by Jean-Claude Carriere, Paris, Gallimard, 1984.

Fallowell, Duncan and April Ashley, April Ashley's Odyssey, London, Jonathan Cape, 1982; London, Arena Books, 1983.

Fernandez Puertas, Victor, 'Anna Maria Dali vista pel seu germa', Нота Nova, Figueres, 8-14, 15-21, 22-28 August 1995.

— 'Anselm Domenech, l'oncle de Salvador Dali Domenech', Revista de Catalunya, Barcelona, no. 97, 1995, pp. 61-81.

— 'Las cartas de Salvador Dali al seu oncle Anselm Domenech al Museu Abello', Revista de Catalunya, Barcelona, no.104 (February 1996), pp. 57-73.

Field, Albert, untitled article on his relationship with Dali, МЕАС, II, pp. 18-21.

Foix, J.V., 'Presentacio de Salvador Dali', L'Amic de les Arts, Sitges, no. 10 (31 January 1927), p. 3.

Fornes, Eduard, Dali у los libros, Barcelona, Mediterrania, 1985.

- Les contradiccions del cas Dali, Barcelona, Llibres de l'Avui, 1989.

Garcia Gallego, Jesus, La reception del surrealisme en Espana (1924-1931) (La critica de las revistas literarias en castellanoу Catalan), Granada, Antonio Ubago, 1984.

- Bibliography critica del surrealismo у la generation del veintisiete, Malaga, Centro Cultural de la Generacion del 27, 1989.

Garcia Lorca, Federico, Cartas a sus amigos, edited by Sebastia Gasch, Barcelona, Cobalto, 1950.

- Epistolario, edited by Christopher Maurer, Alianza, Madrid, 1983, two volumes.

- Obras completas, Madrid, Aguilar, 22nd edn, 3 vols, 1986.

Garcia Marques, Gabriel, 'Tramontana', in Doce cuentos peregrines, Madrid, Mondadori, 1992, pp. 177-186.

Garcia de Valdeavellano, Luis, 'Un educador humanista: Alberto Jimenez Fraud у la Residencia de Estudiantes', introduction to Alberto Jimenez Fraud, La Residencia de Estudiantes. Viaje a Maquiavelo, Barcelona, Ariel, 1972.

Garriga Camps, Pere, 'El jove Dali de la "Pairal"' (1), Emporda, Figueres, 3 February 1993, p. 25.

— 'El joven Dali de la "Pairal"' (2), ibid., 10 February 1993, p. 25.

— Gasch, Sebastia, 'Les obres recents de Salvador Dali', La Publicitat, Barcelona, 16 November 1929, p. 5. Reproduced in Escrits d'art (see below), pp. 116-123.

— 'Salvador Dali', in L'expansid de I'art catala al mm, Barcelona, privately printed, 1953, pp. 139-163.

Gateau, Jean-Charles, Paul Eluard et la peinture surrealiste, Geneva, Droz, 1962.

- Paul Eluard, ou Le frere voyant, Paris, Laffont, 1988.

Gerald, Max, Dali de Draeger, Paris, Le Soleil Noir, 1968; references are to the Spanish edition, Barcelona, Blume, 9th edn, 1980.

- Dali... Dali... Dali..., preface by Dr. Roumegere, Paris, Draeger, 1974; references are to the Spanish edition, Barcelona, Blume, 1985.

Gibson, Ian, 'Con Dali у Lorca in Figueres', El Pais, Madrid, 26 January 1986, Sunday supplement, pp. 10-11.

- Federico Garcia Lorca. A Life, London, Faber and Faber, 1989.

- Fire in the Blood. The New Spain, London, Faber and Faber/BBC Books, 1992.

— 'Un paranoico en la familia? El extrano caso del abuelo paterno de Salvador Dali, un "infeliz demente" que se suicido en Barcelona en 1886', El Pais, Madrid, supplement Babelia, 10 April 1993, pp. 2-3.

— 'Salvador Dali: the Catalan Background', in catalogue Salvador Dali The Early Tears (see above, Section 1), pp. 49-64.

— Gimenez Caballero, Ernesto, 'El escandalo de L'Age d'or en Paris. Palabras con Salvador Dali', La Gaceta Literaria, Madrid, no. 96 (15 December 1930), p. 3.

— 'Robinson habla de arte, teatro. Salvador Dali. Teatro de Bali', ibid., no. 112 (15 August 1931), p. 10.

— !!Dali!! !Querido Dali! Gala te ha devorado ya medio craneo', Diario 16, Madrid, 26 February 1981, supplement, p. X.

Giralt Casadesus, R., 'L'exposicio d'artistes empordanesos', Alt Emporda, Figueres, 'Fulla artistica', no. vi June 1918), p. 1.

Glendinning, Nigel, 'The Visual Arts in Spain', in P.E. Russell (ed.), A Companion to Spanish Studies, London, Methuen, 1973, pp. 473-542.

Gomez de la Serna, Ramon, La sagrada cripta de Pombo. (Tomo II, aunque independiente del I, pudiendo leerse el II sin contar con el I) [1924], facsimile edition, Editorial Trieste, Madrid, 1986.

- Dali, 'Epilogue' by Baltasar Porcel, Madrid, Espasa-Calpe, 1977.

Gomez de Liano, Ignacio, 'Le theatre Dali de la memoire', in catalogue La Vie publique de Salvador Dali; 1980 (see above, Sectionl), pp. 182-185.

- Dali, Barcelona, Ediciones Poligrafa, 1982.

— '"...Llegaremos mas tarde, hacia las cinco". Dali visto por Pitxot', in catalogue 400 obras de Salvador Dali de 1914 a 1983, 1983 (see above, Sectionl), I, pp. 254-257.

— 'Odisea Dali', ibid., II, pp. 21-43.

— 'En la casa del arte', in catalogue Los Pichot, una dinastia de artistas, 1992 (see above, Section 3), pp. 15-45.

Guardiola Rovira, Ramon, Dali y su museo. La obra que no quiso Bellas Artes, Figueres, Editora Empordanesa, 1984.

Guillamet, Jaume, '"Studium" la revista del jove Dali', introduction to the facsimile edition of Studium, Edicions Federals, Figueres, 1993, pp. 5-11.

Halsman, Philippe, with Salvador Dali, Dali's Moustache. A Photographic Interview (1954), Paris, Flammarion, 2nd edn, 1994.

Hernandez, Mario, 'Garcia Lorca у Salvador Dali: del ruisenor lirico a los burros podridos (Poetica у epistolario)', in Laura Dolfi (ed.), L'impossibile/possibile di Federico Garcia Lorca, Naples, Edizioni Scientifiche Italiane, 1989, pp. 267-319.

Janis, Harriet, 'Painting as a Key to Psychoanalysis', Art and Architecture, New York, February 1946.

Jimenez, Xavier and J. Playa i Maset, 'Dali vist des de l'Emporda', series of fifteen articles

published from January to December 1984 in Hora Nova, Figueres. Those on which the book draws are listed in order of appearance, as follows: Joan Butchacas', no. 348 (24-30 January), p. 9; 'Pere Garriga Camps', no. 353 (28 February-5 March), p. 8; no. 354 (6-12 March), p. 6; no. 356 (20-26 March), p. 8; 'L'amistat amb Ramon Reig' and 'Llucia Gispert de Montcanut', no. 361 ('Fires de Santa Creu' supplement, May), p. 39; 'El collegi La Salle', no. 365 (29 May-4 June), p. 6; Jaume Miravitlles', no. 370 (4-10 July), p. 13.

— 'Dali, el futbol i la Unio Esportiva Figueres', Revista de Girona, Girona, June 1986, pp. 75-82.

Lake, Carlton, In Quest of Dali [1969], New York, Paragon House, 1990.

Larraz, Emmanuel, Le Cinema espagnol des origines a nos jours. Preface by Luis Garcia Berlanga, Paris, Les Editions du Cerf, 1986.

Lear, Amanda, Le Dali d'Amanda, Paris, Favre, 1984; reprinted, with the addition of two new final pages, as L'Amant-Dali. Ma Vie avec Salvador Dali, Paris, Michel Lafon, 1994. All references are to the latter edition.

Levy, Julien, Surrealism, New York, The Black Sun Press, 1936.

- Memoir of an Art Gallery, New York, G.P. Putnam's, 1977.

Lowe, John, Edward James. A Surrealist Life, London, Collins, 1991.

Madrid, Francisco, 'El escandalo del "Salon de Otono" de Barcelona. Salvador Dali, pintor de vanguardia, dice que todos los artistas actuales estan putrefactos', Estampa, Madrid, no. 45, 6 November 1928. p. [9].

Malanga, Gerard, 'Explosion of the Swan. Salvador Dali on Federico Garcia Lorca' [interview with Dali], Sparrow 35, Black Sparrow Press, Santa Rosa, California, August 1975.

Mason, Rainer Michael, Dali verdadero/grabado falso. La obra impresa 1930-1934 (see above, Section 1).

Massip, Jose Maria, 'Dali hoy', Destino, Barcelona, no. 660 (1 April 1950), pp. 1, 4-5.

Maur, Karen von, 'Breton et Dali, a la lumiere d'une correspondence inedite', in catalogue Andre Breton. La Beaute convulsive, Paris, Centre Georges Pompidou, 1991 (see above, Section 1), pp. 196-202.

McGirk, Tim, Wicked Lady: Salvador Dali's Muse, London, Hutchinson, 1989.

Miravitlles, Jaume, 'Notes a l'entorn de l'art d'avantguarda. Miro-Dali-Domingo', La Nova revista, Barcelona, no.24 (December 1928), pp. 318-323.

— 'Encuentros en mi vida. Dali у Bunuel', Tele-expres, Barcelona, 1 July 1977, p. 2, and 8 July 1977, p. 2.

— 'Dali i l'aritmetica', Revista de Girona, Girona, no.68 (third trimester, 1974), pp. 31-35.

— 'He visto llorar a Gala', La Vanguardia, Barcelona, 11 June 1982, p. 6.

— 'Una vida con Dali', in catalogue 400 obras de Salvador Dali de 1914 a 1983, 1983 (see above, Section 1), II, pp. 5-9.

Molas, Joaquim, La literatura catalana d'avantguarda, 1916-1938. Seleccid, edicio i estudi, Barcelona, Antoni Bosch, 1983.

Moorhouse, Alan, Dali, Wigston (Leicester), Magna Books, 1990.

Moreiro, Jose Maria, 'Dali, en el centra de los recuerdos', El Рай Semanal, Madrid, 23 October 1983, pp. 15-21.

Morelli, Gabriele (ed.), Trent'anni di avanguardia spagnola. Da Ramon Gomez de la Serna a Juan-Eduardo Cirlot, Milan, Edizioni Universitarie Jaca, 1987.

Moreno Villa, Jose, 'Nuevos artistas. Primera exposicion de la Sociedad de Artistas Ibericos', Revuta de Occulente, Madrid, III, no. xxv (July-August-September 1925), pp. 80-91.

- Vida en claro, Mexico, El Colegio de Мёхко, 1944.

Morris, C.B., Surrealism and Spain. 1920-1936, Cambridge: Cambridge University Press, 1972.

- This Loving Darkness. The Cinema and Spanish Writers, 1920-1936, Oxford: Oxford University Press, 1980.

Morse, Eleanor, 'My View', in Reynolds Morse, Salvador Dali... A Panorama o/hu Art (see below), pp. XXV-XXXVI.

Morse, A. Reynolds, Dali. A Study of hu Life and Work, with a Special Appreciation by Michel Tapie, Greenwich, Connecticut, New York Graphic Society, 1958.

- A New Introduction to Salvador Dali, Beachwood, Cleveland, The Reynolds Morse Foundation, 1960. 'Updating supplement', The Decade 1971-1961 (sic), Beachwood, Cleveland, The Salvador Dali Museum, 1971.

- A Dali Primer, Cleveland, The Reynolds Morse Foundation, 1970.

- The Draftsmanship of Salvador Dali, Cleveland, The Salvador Dali Museum, 1970.

- Salvador Dali, Pablo Picasso. A Preliminary Study in their Similarities and Contrasts, Cleveland, The Salvador Dali Museum, 1973.

— (with Eleanor R. Morse), The Dali Adventure. 1943-1973, Cleveland, The Salvador Dali Museum (1973), expanded edition 1974.

— 'Reminiscences and Reassessments', in above, pp. III-XXIV.

— 'Romantic Ampurdan', in above, pp. 205-214.

Navarro Arisa, JJ., 'Gala Dali. Los secretos de una musa', El Pais Semanal, Madrid, no.182 (14 August 1994), pp. 10-19.

Olano, Antonio D., Dali, secreto, Barcelona, Circulo de Lectores, 1975.

Oriol Anguera, A., Mentira y verdad de Salvador Dali, Barcelona, Cobalto, 1948.

— d'Ors, Eugenio, La verdadera historia de Lidia de Cadaques, illustrations and jacket by Salvador Dali, Barcelona, Jose Janes, 1954.

Orwell, George, 'Benefit of Clergy: Some Notes on Salvador Dali' [1944], in The Collected Essays, Journalism and Letters of George Orwell, vol. Ill, Harmondsworth,Penguin Books, 1971, pp. 185-195.

Palau i Fabre, Josep, Picasso i els seus amies Catalans, Barcelona, Aedos, 1971.

Pastoureau, Henri, 'Soirees chez Gala en 1933 et 1934', Pleine Marge. Cahiers de Litterature, darts plastiques et de critique, Paris, no. 6 (December 1987), pp. 39-43.

Pauwels, Louis and Salvador Dali, Les Passions selon Dali, Paris, Deno I, 1968.

- The Passions According to Dali, translated by Eleanor Morse, The Salvador Dali Museum, St Petesburg, Florida, 1985.

— Penrose, Roland, 80 anos de surrealismo, 1900-1981, Barcelona, Ediciones Poligrafa, 1981.

Peret, Benjamin, Oeuvres completes, five vols, Paris, Association des amis Benjamin Peret, Eric

Losfeld and Librairie Jose Corti, 1969-1989.

Permanyer, Lluis, 'Salvador Dali, a traves del cuestionario "Marcel Proust"', Destino, Barcelona, 6 April 1962.

— 'Cuando Dali no era divino ni arcangelico', La Vanguardia, Barcelona, 7, 12 April and 5, 6 May 1972.

— 'El pincel erotico de Dali. Reportaje por Lluis Permanyer', Playboy, Barcelona, no. 3 (January 1979), pp. 73-74, 160-164.

Pierre, Jose, 'Breton et Dali', in Pompidou catalogue, 1979 (see above, Section 1), pp. 131-140.

— Pla, Josep, [Under pseydonim 'Tristan'], 'Salvador Dali visto desde Cadaques', Destino, Barcelona, 28 September 1946, pp. 3-5.

— and Salvador Dali, Obres de museu, Figueres, Dasa Ediciones, S.A., 1981.

— 'Salvador Dali (una noticia)', in Homenots. Quatra serie, Barcelona, Destino, Obra completa, vol. XXIX, 2nd edn, 1985, pp. 159-201.

— 'Cadaques', in Un petit mon del Pirineu, Barcelona, Destino, Obra completa, vol. XXVII, 2nd edn, 1981, pp. 7-212.

Playa l Maset, Josep, Dali de l'Emporda, Barcelona, Editorial Labor, 'Terra Nostra', 1992.

— and Victor Fernandez, 'Bunuel escribe a Dali. Dos cartas ineditas del cineasta aclaran aspectos de "Un chien andalou" у de las pugnas intelectuales de los anos 20', La Vanguardia, Barcelona, 'Cultura у espectaculos', 1 April 1966, p. 25.

Porcel, Baltasar, 'Con Salvador Dali en su Teatro-Museo bajo la sombra mistico-aurifera у el eco de Ramon Gomez de la Serna', 'epilogue' to Gomez de la Serna, Dali (see above), pp. 196-212.

Puccini, Dario, 'La "Oda a Salvador Dali" nella storia poetica de Lorca', in Il segno del presente. Studi di letteratura spagnola, Turin, Edizioni dell'Orso, 1992, pp. 89-108.

Puignau, Emili, Vivencias con Salvador Dali. Prologue by Luis Romero, Barcelona, Editorial Juventud, 1995.

Quinonero. Juan Pedro, 'Cecile Eluard. El surrealismo llama a la memoria', Blanco у negro, Madrid, 20 March 1988, pp. 62-66.

Read, Herbert, 'Bosch and Dali', The Listener, London, 14 December 1934.

Revenga, Luis, 'Imagenes de un enigma: Dali', in catalogue 400 obras de Salvador Dali de 1914 a 1983, 1983 (see above, Section 1), II, pp. 50-61.

Rey, Henri-Francois, Dali en su laberinto. Ensayo comentado por Dali, Barcelona, Editorial Euros, 1975.

Rivas Cherif, Cipriano, 'El caso de Salvador Dali', Espana, Madrid, no. 413 (14 March 1924), pp. 6-7.

— Rodrigo, Antonina, Lorca-Dali. Una amistad traicionada, Barcelona, Planeta, 1981.

Rojas, Carlos, El mundo mitico у magico de Salvador Dali, Barcelona, Plaza у Janes, 1985.

Romero, Luis, Todo Dali en un rostro, Barcelona, Editorial Blume, 1975.

- Aquel Dali, photographs byjosep Postius, Barcelona, Argos Vergaga, 1984.

- Dedalico Dali, Barcelona, Ediciones B, 1989.

- Pskodalico Dali, Barcelona, Editorial Mediterrania, 1991.

Roumeguere, Pierre, 'La mistica daliniana ante la historia de las religiones', in Dali, Diario de un genio (Barcelona, Tusquets, 1983), pp. 275-278.

— 'The Cosmic Dali. The "Royal Way" of Access to the Dalinian Universe', preface to Dali by Dali (see Dali par Dali above., Section 5), pp. III-IX.

— 'Canibalismo у estetica. Del canibalismo paranoico de la gastro-estetica hacia una Estetica Biologica. La oralidad, via imperial de acceso al universo daliniano', preface to Max Gerard, Dali... Dali... Dali (see above).

Sade, Marquis de, Les 120 Journees de Sodome, preface by Jean-Francois Revel, Paris, Jean Jacques Pauvert, 1972.

Sanchez Rodriguez, Alfredo, '1930: Salvador Dali, a Torremolinos. Come e perche fallisce il progetto di pubblicare a Malaga una rivista del surrealismo spagnolo', in Gabriele Morelli, (ed.), Trent'anni di avanguardia spagnola (see above), pp. 165-177.

— Sanchez Vidal, Agustin (ed.), Bunuel, Lorca, Dali: el enigma sin Jin, Barcelona, Planeta, 1988.

Santos Torroella, Rafael, Salvador Dali, Madrid, Afrodisio Aguado, 1952.

— 'Arte у no arte de Salvador Dali en su homenaje a Fortuny', Noticiero Universal, Barcelona, 17 October 1962. Dali's rejoinder, 'Dali no digiere a Dali', and Santos Torroella's reply, ibid., 24 October 1962. Reproduced in Santos Torroella, La trdguu vida de Salvador Dali (see below), pp. 51-58.

- La miel es mas dulce que la sangre. Las epocas lorquiana у freudiana de Salvador Dali, Barcelona, Planeta, 1984.

— 'Carta abierta a monsieur Robert Descharnes. La exposicion de Salvador Dali en Ferrara', La Vanguardia, Barcelona, 2 September 1984, p. 30.

— 'Descharnes у el estilo "carcel de papel", ibid., Barcelona, 27 September 1984, p. 38.

— 'Nuevas puntualizaciones al libro de Robert Descharnes. Dali fue un modelico alumno de instituto", ibid., 25 October 1984.

- Salvador Dali i el salo de Tardor. Un episodi de la vida artistka barcelonina el 1928, Barcelona, Reial Academia Catalana de Belles Arts de Sant Jordi, 1985.

— '"Las rosas sangrantes" у la imposible decsendencia de Dali', Abc, Madrid, 26 November 1987.

— 'Gimenez Caballero у Dali: influencias reciprocas у un tema compartido', Anthropos. Revista de documentacion cientifica de la cultura, Barcelona, no. 84 (1988), pp. 53-56.

- Dali, residente, Madrid, Publicaciones de la Residencia de Estudiantes, Consejo de Investiga-ciones Cientificas, 1992.

— "Еl Reina Sofia se equivoca con Dali", Abc, Madrid, supplement 'Abe de las artes', 2 October 1992, pp. 36-38.

— 'The Madrid Years', in Salvador Dali. The Early Years, catalogue (see above, Section 1), pp. 81-89.

- 'Los putrefactos' de Dali у Lorca. Historia у antologia de un libro que no pudo ser, Madrid, Residencia de Estudiantes, 1995.

- Dali. Epoca de Madrid. Catalogo razonado, Madrid, Residencia de Estudiantes, 1994.

— 'Salvador Dali en la primera exposicion de la Sociedad de Artistas Ibericos. Catalogacion razonada', in catalogue La Sociedad de Artistas Ibericos у el arte spanol de 1925 (see above, Section 3), pp. 59-66.

- La tragica vida de Salvador Dali, Barcelona, Parsifal, 1995.

Secrest, Meryle, Salvador Dali, New York, E.P. Dutton, 1986.

Soby, James, 'Salvador Dali', in catalogue Salvador Dali. Paintings, Drawings, Prints, New York,

Museum of Modern Art, 1941.

— Stein, Gertrude, Everybody's Autobiography [1937], London, Virago, 1985.

Sylvester, David, Magritte, London, Thames and Hudson in association with the Menil Foundation, 1992.

Terry, Arthur, Catalan Literature, London, Ernest Benn, 1972.

Tharrats, Joan Josep, Cent anys de pintura a Cadaques, Barcelona, Ediciones del Cotal, 1981.

— (ed.), Picasso a Cadaques, special issue of Negre + gris, Barcelona, no. 10, Autumn 1985. Trend, J. В., A Picture of Modern Spain, Men and Music, London, Constable, 1921.

- The Origins of Modern Spain, Cambridge University Press, 1935.

Ultra Violet, 'Dallying with Dali", Exposure, Los Angeles, October 1990, pp. 56-59.

Utrillo, Miguel, Salvador Dali у sus enemigos, Sitges-Barcelona, Ediciones Maspe, 1952.

Valdivielso Miquel, Emilio, El drama oculto. Bunuel, Dali, Falla, Garcia Lorca у Sanches Mejias, Madrid,

Ediciones de la Torre, 1992. Vayreda, Maria dels Angels, 'Com es Salvador Dali?", Revista de Girona, Figueres, no. 68 (1974), pp. 11-14. Vela, Fernando, 'El suprarealismo', Revista de Occidente, Madrid, Vol. VI, no. XVIII (December 1924), pp. 428-434.

— Vidal i Oliveras, Josep Dalmau. L'aventura per L'art modern, Manresa, Fundacio Caixa de Manresa, 1988.

Videla, Gloria, El ultraismo. Estudios sobre movimientos poeticos de vanguardia en Espana, Madrid,

Editorial Gredos ('Biblioteca romanica hispanica'), 1963. Vieuille, Chantal, Gala, Faver, Lausanne and Paris, 1988.

— Waldberg, Patrick, 'Salvador Dali', in Museum Boymans-van Beuningen, Rotterdam, catalogue, pp. 34-37, 1970 (see Section 1, above).

Wilson, Edmund, 'Salvador Dali as Novelist', The Mew Yorker, l july 1944. Woolf, Geoffrey, Black Sun. The Brief Transit and Violent Eclipse of Harry Crosby, New York, Random House, 1976.

7. Факсимильные издания ведущих литературных журналов, упомянутых или процитированных в тексте

L'Amic de les Arts, Sitges, 1926-1929. Sabadell, Editorial Ausa, [1990].

La Gaceta Literaria, Madrid, 1927-1932. Three vols, Vaduz/Liechtenstein, Topos Verlag, 1980. Gallo. Revista de Granada, 1928. Granada, Editorial Comares, 1988. Litterature, Paris, 1919-1921. Paris, Jean-Michel Place, 1978.

Litterature, Paris, Nouvelle Serie, 1922-1924. Paris, Jean-Michel Place, 1978. Minotaure, Paris, 1933-1939. Paris, Editions Albert Skira, no date. Mord-Sud, Paris, 1917-1918. Paris, Jean-Michel Place, 1980. La Revolution Surrealiste, Paris, 1924-1929. Paris, Jean-Michel Place, 1975. Studium, Figueres, 1919. Figueres, Edicions Federals, 1989.

Le Surrealisme au Service de la Revolution, Paris, 1930-1933. Paris, Jean-Michel Place, 1976.

391, Barcelona-New York-Zurich-Paris, 1917-1924. Paris, Le Terrain Vague, 1960.

Trogos [later Trossos], Barcelona, 1916-1918. Barcelona, Leteradura, 1977.

Ultra, Madrid, 1921-1922. Madrid, Visor, 1993.

Verso у prosa, Murcia, 1927-1928. Murcia, CHYS, Galeria de Arte, 1976.

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